May 1, 2019
"Opera is like one of the transporting art forms... transporting you to these hidden secrets places like in yourself that are otherwise inaccessible." ~David Hanlon, composer
Andrea takes a deep dive into the creative process behind creating a new opera with composer David Hanlon and librettist Stephanie Fleischmann. Fresh from the New York libretto reading for their Opera for All Voices commission, The Pigeon Keeper, they were ready to talk fables, families, and refugees.
A libretto reading is a rare opportunity early in the process of a new work to focus in on the story being told and see how it, according to Stephanie, "breathes and moves" in order to provide the structure of the music. Their hope is to create an opera that is truly transporting for a contemporary audience, that will still resonate 50+ years from now.
The Pigeon Keeper is slated to premiere in Spring of 2021.
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Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosts: Andrea Fellows Walters and Brandon Neal
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello.
Cover art by David Tousley
Music curated by Brandon Neal with licensing from PodcastMusic.com
Special thanks to Sheri Barclay for recording this session in New York.
OFAV Consortium Members: Lyric Opera for Kansas City, Minnesota Opera, Opera Theatre of Saint Louis, San Francisco Opera, Sarasota Opera and Seattle Opera.
This podcast is made possible due to the generous funding from the Melville Hankins Family Foundation, the Andrew W. Mellon Foundation, and an OPERA America Innovation Grant, supported by the Ann and Gordon Getty Foundation.
To learn more about Opera for all voices, visit us at SantaFeOpera.org